The problem I have with rudiments is that it seems they're only useful within a narrow range of tempo.
Most rudiments have a minimum tempo, below which they're not very useful at all. They also have a maximum tempo, beyond which either a drummer can't play them, or they're so fast they sound like a blur, at least in most musical contexts.
That leaves a narrow tempo range where rudiments have practical application. If your band doesn't happen to play in that range, rudiments are pretty much useless to you.
Does that sound about right?
I'm aware there are indirect benefits of studying rudiments, but that argument says rudiments should be thought of as calisthenics for drummers. That doesn't seem like a terribly strong argument when there are so many other things a drummer could be working on.
Explain how I'm wrong about this.
Most rudiments have a minimum tempo, below which they're not very useful at all. They also have a maximum tempo, beyond which either a drummer can't play them, or they're so fast they sound like a blur, at least in most musical contexts.
That leaves a narrow tempo range where rudiments have practical application. If your band doesn't happen to play in that range, rudiments are pretty much useless to you.
Does that sound about right?
I'm aware there are indirect benefits of studying rudiments, but that argument says rudiments should be thought of as calisthenics for drummers. That doesn't seem like a terribly strong argument when there are so many other things a drummer could be working on.
Explain how I'm wrong about this.
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